Mystiquε Posted July 24, 2014 Posted July 24, 2014 (edited) Hi, I am Mystique & I do GFX when I am balls deep bored. Requests are welcome Shout out to KreayFufu & Oldsie Edited July 29, 2014 by Mystiquε Quote
Tamer™ Posted July 24, 2014 Posted July 24, 2014 Good to see ya here Mystique, fantastic work. Some of the lighting on some of the sigs need adjustment but other than that great job. Quote
Mystiquε Posted July 24, 2014 Author Posted July 24, 2014 Good to see ya here Mystique, fantastic work. Some of the lighting on some of the sigs need adjustment but other than that great job. Thanks! & tell me more about the lighting bit cause I do feel the same but I fail to put a finger Quote
Tamer™ Posted July 24, 2014 Posted July 24, 2014 Good to see ya here Mystique, fantastic work. Some of the lighting on some of the sigs need adjustment but other than that great job. Thanks! & tell me more about the lighting bit cause I do feel the same but I fail to put a finger Well, basically adjust the lighting of the sigs the same way you'd adjust the lighting of an avy as sometimes the lighting can ruin the crucial details of the sig. Quote
Mystiquε Posted July 24, 2014 Author Posted July 24, 2014 Good to see ya here Mystique, fantastic work. Some of the lighting on some of the sigs need adjustment but other than that great job. Thanks! & tell me more about the lighting bit cause I do feel the same but I fail to put a finger Well, basically adjust the lighting of the sigs the same way you'd adjust the lighting of an avy as sometimes the lighting can ruin the crucial details of the sig. Oh I get it. I actually sometimes do darken the work intentionally so I could hide the areas that I don't need on the finished sig. I'll find another way to hide uneeded details for sure tho Quote
fufu ÷ Posted July 24, 2014 Posted July 24, 2014 whack the exposure up a little for key features on an adjustment layer then black brush off the bits that are too strong or are on the wrong areas on the layer mask. Or try using more dynamic lighting in the actual design. Quote
Mystiquε Posted July 24, 2014 Author Posted July 24, 2014 whack the exposure up a little for key features on an adjustment layer then black brush off the bits that are too strong or are on the wrong areas on the layer mask. Or try using more dynamic lighting in the actual design. Right, instead of just layering or changing the lighting of the whole work correct? Just wanna make sure I got this right Quote
fufu ÷ Posted July 24, 2014 Posted July 24, 2014 whack the exposure up a little for key features on an adjustment layer then black brush off the bits that are too strong or are on the wrong areas on the layer mask. Or try using more dynamic lighting in the actual design. Right, instead of just layering or changing the lighting of the whole work correct? Just wanna make sure I got this right yeah, if you were thinking of correcting things and still wanted the backgrounds to have that flat look, that's what i'd do. Quote
Mystiquε Posted July 24, 2014 Author Posted July 24, 2014 I dunno how many thanks I could give without looking like a spammer Quote
fufu ÷ Posted July 24, 2014 Posted July 24, 2014 it's aight, Tamer already fills that void here. Quote
Tamer™ Posted July 25, 2014 Posted July 25, 2014 it's aight, Tamer already fills that void here. I hate you. Quote
Steve ® Posted July 25, 2014 Posted July 25, 2014 increase some brightness otherwise it is good Quote
Mystiquε Posted July 28, 2014 Author Posted July 28, 2014 (edited) Sorry for the double post. Tips would be lovely Edited July 28, 2014 by Mystiquε Quote
fufu ÷ Posted July 28, 2014 Posted July 28, 2014 Love the coloured version. Really smooth and and all the tones work together and with the overall flow. Also the quality of the image is really good. Quote
Mystiquε Posted July 28, 2014 Author Posted July 28, 2014 We're all your students at the end of the day Quote
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